A handful of subplots begin to form, but the flamboyantly gay Lazar ( Slaven Došlo) emerges as most compelling and fully realized character, a street-tough pretty-boy who relishes sexually teasing the ultra-macho athlete Strahinja ( Nikola Glisic) and his would-be slutty girlfriend Jelena ( Milica Majkic), both of whom are plainly protesting too much. Tensions soon erupt between the nerds and the jocks, the studious squares and the drug-dealing thugs. Their conversations range across universal teen touchstones, including The Vampire Diaries and The Big Bang Theory, while the subtitles contain sassy slang translations like “crazy biatchez”. As evening turns to night, the dramatic focus shifts to the imprisoned teens as they rampage through the empty building, fighting and flirting, boozing and smoking weed, jostling for sexual and social status. When her assailants refuse to identify themselves, she angrily confiscates everybody’s phone and leaves, locking her entire class inside the school. The next day in class, Olja is shocked to discover her students sharing phonecam footage of the attack. One night, she is attacked in the street by masked youths who splash her with red paint, branding her a “Communist”.
Married to visual artist Uglješa ( Dragan Mi?anovi?), whose latest exhibition has angered conservatives by mocking Serbia’s religious right, Olja is routinely dismissed as a leftie do-gooder by students and fellow teachers alike. Hristina Popovi? ( Circles, The Parade) plays Olja, an idealistic young history teacher trying to impart liberal values to her class of noisy, belligerent, alienated, selfie-taking teenagers. Next to Me takes place in a crumbling Belgrade high school. While Serbian cinema rarely makes waves outside the Balkans, this engaging, funny, humane teen drama has stronger credentials than most, especially for any shameless distributors willing to exploit its superficial similarities to the much-loved 1985 John Hughes classic. Next To Me picks up on some of the same themes of juvenile delinquency and right-wing nationalism, but it is also a warmer and more nuanced snapshot of contemporary youth. The biggest domestic box office hit of 2010, it earned him death threats as well as numerous festival awards. Rapturously received at the Sarajevo Film Festival last week, where it won the Young Audience Award, the film opens domestically later this month.įilipovi?’s last film was Skinning, a political drama about Neo-Nazi skinheads in Serbia. A youth-centric ensemble drama about a class of rowdy high schoolers confined to an after-hours detention, Next To Me was conceived by its writer-director Stevan Filipovi? while teaching at the Belgrade Academy of Arts, working with his own student actors to help shape the story. During that night, a generation that was written off before they were ever given a chance will learn more than they ever expected about themselves and their classmates.Finally it’s here: that Serbian remake of The Breakfast Club we have all been waiting three decades to see.
In order to solve the problem together, and with inability to leave the school, students begin to communicate. She takes away their mobile phones, and in the heat of the moment decides to lock them in the school building, also disconnecting the school phones and the internet. The next day Olja discovers that some of her students were responsible. They film the attack and upload the clip to YouTube. One night, a group of masked hooligans attacks her. Olja is a high school history teacher, married to a painter whose latest exhibition provoked violent reactions from Serbian nationalists.
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